catchymemes:

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thewhovianknows:

i never need to google which new show has lesbians….the former carmilla blogs I followed in 2014 have me covered every time without fail

(via shortazn97)

play-exy-be-sexy:

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Hi I love you all🖤

(via stormesandshowers)

unstablecryptid:

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czech-hunter-biden:

If they let us use tumblr live for circlejerks it would be the most used feature on this hellsite

(via cchaox-deactivated20230620)

tonysopranobignaturals-deactiva:

weedofwisdom:

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wtf happened to this screenshot

you’re reading it from the line cook’s perspective

(via the-gayest-loser)

aflo:

prohaloplayer:

it’s gay as fuck for a man to eat breakfast

COMEON

(via antimony-ore)

onvochn:
“space-feminist:
“tikkunolamorgtfo:
“moash:
“urlane:
“the queen of Oz is a trans lesbian and she’s dating Dorothy
”
reminder that Ozma and Dorothy were Special Good Bedroom Friends
”
You mean she was a… friend of Dorothy?
”
this illustration...

onvochn:

space-feminist:

tikkunolamorgtfo:

moash:

urlane:

the queen of Oz is a trans lesbian and she’s dating Dorothy

reminder that Ozma and Dorothy were Special Good Bedroom Friends

You mean she was a… friend of Dorothy?

this illustration from The Road To Oz has already shown up in the notes but i dug out my copy to take this photo and i feel like i have to share that yes this is in a physical book i owned and read as a child:

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(dorothy left, ozma right)

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Apparently, she’s also a socialist queen

(via floofiest-doof)

cristinaricci:

RIVER PHOENIX
My Own Private Idaho (1991)

magnusedom:

MY OWN PRIVATE IDAHO (1991) dir. Gus Van Sant

The centerpiece of River’s performance, and the film, is a campfire scene with Reeves. Scott Favor takes Mike Waters on a road trip (on a stolen motorcycle) to visit Mike’s brother. At night, sitting by a fire they’ve made, they discuss their respective childhoods: “If I had a normal family and a good upbringing, then I would have been a well-adjusted person,” Mike insists. What’s really on his mind: he’s in love with Scott, and he’s terrified of saying so.

 “I only have sex with a guy for money,” a reclining Scott tells him. “Two guys can’t love each other.”

 A miserable Mike says haltingly, “I could love someone even if I, you know, wasn’t paid for it. And I love you, and you don’t pay me.” Curling up in a ball, he tells Scott, “I really want to kiss you, man.” The scene ends with Scott gently holding Mike, stroking his hair.

“This is the best part in the film,” Van Sant said, “and was chosen by River to be his big scene.” At River’s request, Van Sant scheduled it for the last day of shooting. River rewrote it himself, making it more lyrical and making his love for Scott explicit (in Van Sant’s original script, the relationship was more ambiguous).

 “‘I love you, and you don’t have to pay me’—I’m so glad I wrote that line,” River said. “I think that in his private life, Mike was probably a virgin, so he only relates sex with work.” River had spent some time thinking about situational virginity, and the emotional consequences of having sex when you didn’t want to have it.

Last Night at the Viper Room: River Phoenix and the Hollywood he left behind by Gavin Edwards

(Source: magnusedom, via magnusedom)